Adjective

(en-adj)

Dreadful; causing alarm and fear.

Formidable, powerful.

* 1883: (Robert Louis Stevenson), (Treasure Island)

and there was even a party of the younger men who pretended to admire him, calling him a "true sea-dog," and "real old salt," and such-like names, and saying there was the sort of man that made England terrible at sea.

Intense; extreme in degree or extent.

* {{quote-book, year=1963, author=(Margery Allingham), title=(The China Governess)

, chapter=18 citation , passage=‘Then the father has a great fight with his terrible conscience,’ said Munday with granite seriousness. ‘Should he make a row with the police […]? Or should he say nothing about it and condone brutality for fear of appearing in the newspapers?}}

Unpleasant; disagreeable.

* , chapter=12

, title= The Mirror and the Lamp , passage=To Edward […] he was terrible , nerve-inflaming, poisonously asphyxiating. He sat rocking himself in the late Mr. Churchill's swing chair, smoking and twaddling.}}

Very bad; lousy.

* {{quote-news, year=2012, date=April 26, author=Tasha Robinson, work=The Onion AV Club

, title= Film: Reviews: The Pirates! Band Of Misfits , passage=The openly ridiculous plot has The Pirate Captain (Hugh Grant) scheming to win the Pirate Of The Year competition, even though he’s a terrible pirate, far outclassed by rivals voiced by Jeremy Piven and Salma Hayek.}}

Adjective

(en adjective)

Representing or personifying death.

* 1941 , George C. Booth, Mexico's School-made Society , page 106

There are four fundamental figures. One is a man measuring and comparing his world In front of him is a macabre figure, a cadaver ready to be dissected. This symbolizes man serving mankind. The third figure is the scientist, the man who makes use of the information gathered in the first two fields of mensurable science.

Obsessed with death or the gruesome.

* 1993 , Theodore Ziolkowski, "Wagner's Parsifal'' between Mystery and Mummery", ''in'' Werner Sollors (ed.), ''The Return of Thematic Criticism , pages 274-275

Indeed, in the 1854 draft of Tristan he planned to have Parzival visit the dying knight, and both operas display the same macabre obsession with bloody gore and festering wounds.

Ghastly, shocking, terrifying.

* 1927 [1938], , Introduction

The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life.