Mood vs Implication - What's the difference?
mood | implication | Related terms |
A mental or emotional state, composure.
A sullen mental state; a bad mood.
A disposition to do something.
(senseid) A prevalent atmosphere or feeling.
(grammar) A verb form that depends on how its containing clause relates to the speaker’s or writer’s wish, intent, or assertion about reality.
(uncountable) The act of implicating.
(uncountable) The state of being implicated.
(countable) An implying, or that which is implied, but not expressed; an inference, or something which may fairly be understood, though not expressed in words.
* 2011 , Lance J. Rips, Lines of Thought: Central Concepts in Cognitive Psychology (page 168)
(countable, logic) The connective in propositional calculus that, when joining two predicates A and B in that order, has the meaning "if A is true, then B is true".
Mood is a related term of implication.
As an adjective mood
is tired.As a noun implication is
(uncountable) the act of implicating.mood
English
Etymology 1
From (etyl) mood, mode, mod, from (etyl) .Noun
(en noun)- I'm in a sad mood since I dumped my lover.
- He's in a mood with me today.
- I'm not in the mood for running today.
- A good politician senses the mood of the crowd.
Usage notes
* Adjectives often used with "mood": good, bad.Synonyms
* (mental or emotional state) composure, humor/humour, spirits, temperament * (bad mood) huff (informal), pet, temper * (disposition to do something) frame of mindAntonyms
* (bad mood) good humour, good mood, good spiritsDerived terms
* in the mood * mood music * mood swing * moodySee also
* ambiance, ambience * atmosphere *GemuetlichkeitEtymology 2
Alteration of modeNoun
(en noun)- The most common mood in English is the indicative.
Synonyms
* mode * grammatical moodHyponyms
* See alsoDerived terms
* indicative mood * conjunctive mood = subjunctive mood * imperative mood * conditional moodSee also
* aspect * tenseAnagrams
* ----implication
English
Noun
- But we can also take a more analytical attitude to these displays, interpreting the movements as no more than approachings, touchings, and departings with no implication that one shape caused the other to move.
