Noun

(en-noun)

The body of all written works.

The collected creative writing of a nation, people, group or culture.

All the papers, treatises etc. published in academic journals on a particular subject.

*

The obvious question to ask at this point is: ‘Why posit the existence of a set of Thematic Relations (THEME, AGENT, INSTRUMENT, etc.) distinct from constituent structure relations?? The answer given in the relevant literature is that a variety of linguistic phenomena can be accounted for in a more principled way in terms of Thematic Functions than in terms of constituent structure relations.

Written fiction of a high standard.

However, even “literary” science fiction rarely qualifies as literature , because it treats characters as sets of traits rather than as fully realized human beings with unique life stories. —Adam Cadre, 2008

Noun

(stories)

A sequence of real or fictional events; or, an account of such a sequence.

* Ed. Rev.

Venice, with its unique city and its impressive story

* Sir W. Temple

The four great monarchies make the subject of ancient story .

*

, title=(The Celebrity), chapter=1 , passage=The stories did not seem to me to touch life. They were plainly intended to have a bracing moral effect, and perhaps had this result for the people at whom they were aimed. They left me with the impression of a well-delivered stereopticon lecture, with characters about as life-like as the shadows on the screen, and whisking on and off, at the mercy of the operator.}}

* {{quote-magazine, date=2013-06-29, volume=407, issue=8842, page=55, magazine=(The Economist)

, title= Travels and travails , passage=Even without hovering drones, a lurking assassin, a thumping score and a denouement, the real-life story of Edward Snowden, a rogue spy on the run, could be straight out of the cinema. But, as with Hollywood, the subplots and exotic locations may distract from the real message: America’s discomfort and its foes’ glee.}}

A lie.

(chiefly, US) A floor or level of a building; a storey.

* 1900 , , (The House Behind the Cedars) , chapter I:

The lower story of the market-house was open on all four of its sides to the public square.

(US, colloquial, usually pluralized) A soap opera.

(obsolete) History.

* 1644 , (John Milton), (Aeropagitica) :

who is so unread or so uncatechis'd in story , that hath not heard of many sects refusing books as a hindrance, and preserving their doctrine unmixt for many ages, only by unwritt'n traditions.

A sequence of events, or a situation, such as might be related in an account.