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Exposure vs Melotype - What's the difference?

exposure | melotype |

In photography|lang=en terms the difference between exposure and melotype

is that exposure is (photography) details of the time and f-number used while melotype is (photography) a picture produced by a process in which development after exposure may be deferred indefinitely, so as to permit transportation of exposed plates.

As nouns the difference between exposure and melotype

is that exposure is (senseid)(uncountable) the condition of being exposed, uncovered, or unprotected while melotype is (photography) a picture produced by a process in which development after exposure may be deferred indefinitely, so as to permit transportation of exposed plates.

exposure

Noun

  • (senseid)(uncountable) The condition of being exposed, uncovered, or unprotected.
  • * {{quote-magazine, date=2013-06-08, volume=407, issue=8839, page=55, magazine=(The Economist)
  • , title= Obama goes troll-hunting , passage=The solitary, lumbering trolls of Scandinavian mythology would sometimes be turned to stone by exposure to sunlight. Barack Obama is hoping that several measures announced on June 4th will have a similarly paralysing effect on their modern incarnation, the patent troll.}}
  • (countable, uncountable) That part which is facing or exposed to something, e.g. the sun, weather, sky, or a view.
  • (uncountable) Lack of protection from weather or the elements.
  • * 1993 , (Paul Chadwick), The Ugly Boy , Dark Horse Books
  • As all of you know, a great tragedy occurred yesterday. Arthur Harcourt died of exposure sometimes in the morning in the woods off Mount Tom Road.
  • (senseid)(photography) An instance of taking a photograph.
  • (photography) The piece of film exposed to light.
  • (photography) Details of the time and f-number used.
  • (gardening) The amount of sun, wind etc. experienced by a particular site.
  • Derived terms

    * double exposure * multiple exposure * time exposure

    melotype

    English

    Noun

    (en noun)
  • (photography) A picture produced by a process in which development after exposure may be deferred indefinitely, so as to permit transportation of exposed plates.
  • (Webster 1913)