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Baroque vs Mannerism - What's the difference?

baroque | mannerism |

As an adjective Baroque

is from the Baroque period in visual art and music.

As a proper noun Baroque

is a period in western architecture from ca. 1600 to the middle of the eighteenth century, known for its abundance of decoration.

As a noun mannerism is

a group of verbal or other unconscious habitual behaviors peculiar to an individual.

baroque

English

Adjective

(en adjective)
  • from the Baroque period in visual art and music.
  • Proper noun

    (en proper noun)
  • A period in western architecture from ca. 1600 to the middle of the eighteenth century, known for its abundance of decoration.
  • A period in western art from ca. 1600 to the middle of the eighteenth century, characterized by drama, rich color, and dramatic contrast between light and shadow.
  • A period in western music from ca. 1600 to ca. 1760, characterized by extensive use of counterpoint, basso-continuo, and extensive ornamentation.
  • The chess variant invented in 1962 by mathematician Robert Abbott, or any of its descendants, where pieces move alike, but have differing methods of capture.
  • mannerism

    English

    Etymology 1

    Noun

    (en noun)
  • A group of verbal or other unconscious habitual behaviors peculiar to an individual.
  • *
  • , title=(The Celebrity), chapter=1 , passage=In the old days, to my commonplace and unobserving mind, he gave no evidences of genius whatsoever. He never read me any of his manuscripts, […], and therefore my lack of detection of his promise may in some degree be pardoned. But he had then none of the oddities and mannerisms which I hold to be inseparable from genius, and which struck my attention in after days when I came in contact with the Celebrity.}}
  • Exaggerated or effected style in art, speech, or other behavior.
  • References
    * APA Dictionary of Psychology, 2007

    Etymology 2

    From (etyl) , from (maniera), coined by at the end of the XVIII century.

    Alternative forms

    * Mannerism

    Noun

    (en noun)
  • (arts, literature) In literature, an ostentatious and unnatural style of the second half of the sixteenth century. In the contemporary criticism, described as a negation of the classicist equilibrium, pre-Baroque, and deforming expressiveness.
  • (arts, literature) In fine art, a style that is inspired by previous models, aiming to reproduce subjects in an expressive language.