Abhorrent vs Macabre - What's the difference?
abhorrent | macabre | Related terms |
(archaic) Inconsistent with; far removed from; strongly opposed to, as, abhorrent thoughts.
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Contrary to; discordant.
* {{quote-book, year=1827, author=, title=The History of the Decline And Fall of the Roman Empire
, passage=This legal, and, as it should seem, injudicious profanation, so abhorrent to out stricter principles, was received with a very faint murmur, ... , url=http://books.google.com/books?id=rwoMAAAAYAAJ&dq=%22Injudicious%20profanation%2C%20so%20abhorrent%20to%20our%20stricter%20principles.%22&pg=PA82v=onepage&f=false}}
*
Abhorring; detesting; having or showing abhorrence; loathing.
Detestable or repugnant.
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Representing or personifying death.
* 1941 , George C. Booth, Mexico's School-made Society , page 106
Obsessed with death or the gruesome.
* 1993 , Theodore Ziolkowski, "Wagner's Parsifal'' between Mystery and Mummery", ''in'' Werner Sollors (ed.), ''The Return of Thematic Criticism , pages 274-275
Ghastly, shocking, terrifying.
* 1927 [1938], , Introduction
Abhorrent is a related term of macabre.
As adjectives the difference between abhorrent and macabre
is that abhorrent is (archaic) inconsistent with; far removed from; strongly opposed to, as, abhorrent thoughts while macabre is representing or personifying death.abhorrent
English
(Webster 1913)Adjective
(en adjective)Usage notes
* Nouns to which abhorrent is often applied: behavior, act, crime, practice, thing. * (opposed) abhorrent'' is typically folled by ''from . * (contrary) abhorrent'' is followed by ''to .External links
* * *References
macabre
English
Adjective
(en adjective)- There are four fundamental figures. One is a man measuring and comparing his world In front of him is a macabre figure, a cadaver ready to be dissected. This symbolizes man serving mankind. The third figure is the scientist, the man who makes use of the information gathered in the first two fields of mensurable science.
- Indeed, in the 1854 draft of Tristan he planned to have Parzival visit the dying knight, and both operas display the same macabre obsession with bloody gore and festering wounds.
- The appeal of the spectrally macabre is generally narrow because it demands from the reader a certain degree of imagination and a capacity for detachment from every-day life.
